This Swiss furniture designer

This Swiss furniture designer

Whilst at a friend’s charity launch, the host excitedly insisted I should meet his neighbour.  “He’s a furniture designer!” he beamed. As the event itself was far beyond the realms of furniture and interiors, I expected to find myself feigning interest whilst some bloke called Heiri gave it the big one about refurbishing his Granny’s coffee table or weaving a hammock from horse hair. I reluctantly shuffled over anyway and to my complete surprise I was introduced to Matthias (‘This’ for short) Weber; an accomplished designer and genuine nice guy, who designs furniture based from his cool studio in downtown Zürich. Unfortunately, our meeting was cut short, that is, until we were coincidentally re-introduced some months later alongside Alfredo Häberli and Luke Pearson at the Alias Party in Milan. Who knew eh?

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This Weber in his Zürich studio

Having gotten to know more about This’s work, I called in to his studio in the trendy Hardbrücke area of the city some weeks later. There I found him, surrounded by furniture prototypes, sketches, works in progress and models (of the furniture kind). Over a great coffee, This told me about his journey to date, initially training as a mechanic before working with some of Switzerland’s most renowned furniture designers and now making waves under his own banner. I asked him a few questions for your reading pleasure….

You initially trained as a mechanic – what prompted the switch to design?

I grew up in a family of creatives. My mum a textile designer, my father a typology specialist at the School of Art in Zürich. My uncle – a great, calm person – was teaching design and interior architecture, also at the School of Art. I just wanted to do what he did in his precious workshop…

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Symphonie

Ever consider becoming a car designer?

No – we don’t have a big history of car design here in Switzerland and I’m not the biggest car fan, so that was never my wish. Especially as a young designer, I wasn’t really aware of my skills, so was looking for small design studios with smaller projects – as opposed to working in large teams in the car industry.

What was your breakthrough moment in the furniture industry?

I see my whole career as an empiric process, with every project that I’m working on to become a product. To me, each one is a breakthrough.

Bergere armchair / contemporary / in wood / canvas
Bellevue Armchair (high back version)

You’ve worked with Alfredo Häberli, Christophe Marchand and Hannes Wettstein. How valuable was that experience and how does it compare to solo work?

It’s been a competitive everyday challenge for me, to work on various projects and to fulfil the visions of my author bosses. Like craftsmen who have done this for decades, these were my ‘wanderyears’ where I learned from – and practiced with – the experienced ones.

What single piece of advice do you give to furniture designers just starting out?

I encourage them to start their career working for established studios and also to try to develop their own things and get in touch with brands…

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NOMAD Lido chair

What designs do you currently have in development?

We’re working on a wardrobe collection to suit the needs of schools, universities and public spaces for Swiss company MAKK, a new range for VERYWOOD; an Italian furniture brand focused on hotels, gastronomy and cruise ships… plus some new upholstery for German manufacturer Rolf Benz.

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Bellevue collection

What challenges do you see in the furniture industry?

We need to communicate the quality of our products better. We’re all responsible for the fact that consumers have lost their ability to qualify quality.

Last question – who’s your (living) design hero?

Rodolfo Dordoni. Antonio Citterio.

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“My goal is to give objects a recognisable value, which is perceived intuitively by the user…”

Since 2010, This is also a visiting lecturer in the faculty of design and Art at Lucerne University of Applied Sciences and Art. Keep your eyes peeled for This Weber – a rising star in furniture design – you can check out some of his inspiration here. And next time you’re at a friend’s party and they offer to introduce you to a furniture designer, go and say hello. You never know who you might meet…

Catch you soon ar kid.

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Ben Capper is an award winning Interior Specialist based in Zürich Switzerland, working with Zingg Lamprecht AG on interior and furniture projects for commercial clients. Ben has 20 years experience as a trusted independent consultant to Architects and Interior Designers having completed projects such as Manchester United stadium expansion, private Airport lounges, University campuses for 1400 students and 1000 person office schemes. b.capper@zingg-lamprecht.ch

Milano goes Pop!

Milano goes Pop!

Milan. City of cobbled streets, driving without rules, Vitello Milanese, Ray-bans and more recently, Salone del Mobile. An actioned packed few days of design, prosciutto and prosecco has drawn to a close. So what’s new? Here’s a few quickfire highlights from me…

80’s pop

Its been sneaking back for a while now, but Salone proudly unveiled it’s 80’s intentions on a number of stands. Dig out your cords and stick some Eurythmics on. Whether it’s bold stripes, thick velvety rugs, retro furniture or speckled stone finishes… 80’s influences were far and wide.

Jaime Hayon takeover

From Fritz Hansen’s Fritz Hotel to the Wittman Hayon Workshop. From Viccarbe furniture to Nanamarqina rugs. There was no escaping man of the moment Jaime Hayon’s influences across Salone – and he led the 80’s charge. With Huey Lewis’s Hip to be Square on full blast, leather fingerless gloves and bleached drainpipe jeans, Hayon softened every angle, added playfulness and fun and a recognisable Spanish design language of his own. Man of the match? Sí señor!

Nendo’s calming influence

At Jil Sander’s showroom in the Brera district, Nendo’s Invisible outlines exhibition blended a backdrop of meditative music with 16 Nendo projects on display exploring new ways of seeing and sharing things. Meanwhile at Salone, the prolific design team infused Japanese calmness to the Alias stand, with a coffee table range integrating Asian greenery, new refined Twiggy chair and the Okome modular soft seating range setting the scene.

Marble gets, erm… marblier

Marble has been back for a couple of years. But typically white marble with grey veins or vice versa, whereas now the trend is much more exotic, opulent and rare natural colours, often mixed with brass, copper or dull bronze metal framework. Sits nicely with 80’s vibes too.

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And finally… ch–ch-changes

Over recent years we’ve seen many brands reinvent themselves at Milan to re-align with emerging trends, the Wittman Hayon workshop was nothing short of a complete overhaul and a very positive one at that. Hayon’s Mediterranean baroque meets Wittman’s Austrian quality. Very cool.

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Unconfirmed rumours at Salone circulated that internationally successful design team Lievore Altherr Molina have split, with Manel Molina going it alone and releasing solo work. Is their website to be read as confirmation of this?

Japanese design was more prevalent than ever – with fantastic collaborations and influences. Yuru Suzuki, Stellar Works, Tokushin Yoshioka and of course Nendo. More please!

RIP Bar Basso. The design faithful’s bar of choice finally reached bursting point. A taxi ride to the other side of town, followed by a 4 deep bar scrum and drinking warm beer whilst standing on a roundabout has finally started to wear thin.

We need a new Bar Basso….

Until next time, Ciao! X

 

Ben Capper is an award winning Interior Specialist based in Zürich Switzerland, working with Zingg Lamprecht AG on interior and furniture projects for commercial clients. Ben has 20 years experience as a trusted independent consultant to Architects and Interior Designers having completed projects such as Manchester United stadium expansion, private Airport lounges, University campuses and 1000 person office schemes. b.capper@zingg-lamprecht.ch