As I work on projects searching for the right products, trends can gently (or sometimes not so) present themselves. In the run up to joining over 50,000 trade visitors at Orgatec in Cologne next week, I’ve recently felt my ‘furniture nerd antennae’ twitch to a couple of design styles which I’ll share with you.
There’s a movement within certain design circles of simple, chunky legged, childlike design. Mathias Hahn has developed a number of pieces for Zeitraum in this style and I like the playfulness of it. He makes it look easy and effortless, but the proportions are very carefully considered and well executed.
Meanwhile Missana recently launched the Okapi chair, designed by Perez Ochando. The design studio based in Valencia describe ‘the front side of the chair reminding us of a giraffe and the back of a zebra’. Ok. That’ll be last orders at the bar guys…
Bla Station have been on this theme for years, with tele tubby forms, oversized upholstery buttons and simplified shapes. Sometimes our subconscious is drawn to a design style as it reminds us of something. If we have an inner child, then Bla Station have been waving Kinder Eggs and Alcopops at it for a while now.
But there’s another theme that has caught my eye. A more grown up theme, based upon simple clean lines, 3D shapes, industrial materials and graphite shades. And I have a feeling Orgatec – and 2017 – will be awash with it…
Zeus have been creating cool iron furniture for decades. Their ‘Slim Irony’ range is a culmination of their time-served expertise. They call it ‘Industrial Chic’. With a blend of minimalism and urban Milanese cool, the range includes rusted top finishes and a glass option that reminds me of school windows… Rusted metal finishes have been a regular feature in external architectural design for some time – perhaps they are finally creeping indoors.
But that’s not all Zeus are known for. During Milan Design Week the lovely food served in their showroom (a converted car garage tucked away in an unassuming Milan side street) has also gained notoriety. So much so that old folks from the local neighbourhood suspiciously shuffle through the showroom doors en masse around lunchtime, hoping for a free bowl of risotto. The lovely folks at Zeus usually oblige.
Back to what Zeus do best – furniture. The pure, simple form of Slim Irony is nothing new as far as shapes go. But this cubic semi transparent ‘3D’ linear theme is something we’re going to see a lot more of.
“Handcrafted furniture from the Industrial North…”
From downtown Milan to down the Toon (that’s Newcastle, UK if you didn’t know). Nestled amongst and inspired by faded crumbling industrial heritage, a furniture brand called Novocastrian is emerging with a style of their own. Acknowledging modern trends, with hints of art deco and inspiration from the industrial revolution, a group of metalworkers, designers and architects with a self-confessed obsession with metal are steadily growing their furniture collection. And fanbase.
I love how Novocastrian present themselves: Handcrafted Furniture from the Industrial North. In an era of Brexit, declining industry, fear and propoganda, this is a brand bursting with northern grit to turn it all on its head. Go on lads and lasses.
Aside from a growing product collection, Novocastrian turn their hands to one off commissions and bespoke products. Whilst retaining their flavour and classic style, they deliver unique elegant forms echoing Charles Rennie Mackintosh, in fabulous materials such as blackodised or bronze patinated steel.
Light years ahead…
But this theme of dark lines and stripes isn’t exclusive to furniture. In recent years we’ve seen lighting designs hit the trade fairs, perhaps illuminating (sorry) this dark linear trend. Michael Anastassiades’ String lights (below) were inspired by electricity wires as seen through a train window…
A recent favourite of mine is Arik Levy’s playful Wireflow collection for Vibia which adds a decorative Gothic touch to a project. Great for a large reception space or gallery. This would look really cool over a bespoke Novocastrian Blackodised steel boardroom table.
In both of these lighting collections, the clever twist is that the actual light itself isn’t the main event. The power cord cuts a stripe in thin air, allowing a 2D or 3D shape to be created and make its presence known.
Another related example is Lee Broom‘s Opticality exhibition from LDW last month. With 80’s undertones, Broom plays with the senses to present his latest lighting product ‘Optical’. This is where the playful linear trend crosses over to 3D graphic design, visual perceptions and perhaps even fashion.
Once you tune in to these themes it’s hard to stop noticing them and I could literally go on and on throwing related products at you. But I won’t. If like me you’re jetting off to Cologne next week for Orgatec, look out for cubic linear shapes, black stripes, 3D frames and industrial black metal. Oh and keep your eyes peeled for the occasional zebra or giraffe lurking in the background…